I really enjoyed the queer works of Blake and especially found the installation work Ruins of a Sensibility full of personal memories and a strong sense of nostalgia crept over me. It conjured past experiences of staying at a nightclub until it closes and then stumbling home drunk wearing some crazy and skimpy outfit. Of course, I played a Peggy Lee record.
Ruins of a Sensibility
1972-2002 (with thanks to Lynne Tillman)
Records, electronic equipment, and plywood
The works of Nathalie were quirky, yet disconcerting with some rasist imagery in the stop motion video pieces. I would have liked to sit and watch them, but I was exhausted.